17. Dwani, Swara, Taalam, Nattuwangam – Audio

Author: Ram Krishnamani Date: January 14, 2025

In this episode, Shantha emphasizes the profound connection between sound and emotion in Bharatanatyam. She explains how Dwani (resonance) is more than just sound; it is the essence that enhances the dancer’s expression, created through rhythmic footwork, expressive hand gestures, and vocal intonations. The chapter dives into the physics of sound—pitch, tone, and rhythm—and its spiritual dimensions, where sound becomes a bridge connecting the dancer to the divine.

Nature’s influence is beautifully highlighted through Swara, where musical notes are derived from natural sounds, enriching Bharatanatyam’s connection to the world around us. Rhythmic structures like Taalam, with its precise beats and tempos, form the backbone of this art, guiding both dancer and audience through the performance. The skillful use of Nattuvangam—reciting syllables and playing cymbals in sync with the dancer—further exemplifies the intricate fusion of rhythm and movement.

Shantha explains how this Chapter weaves together the spiritual, aesthetic, and scientific aspects of sound, creating a holistic perspective.

Shantha underscores how Bharatanatyam transcends mere performance, becoming a deeply immersive experience for both the artist and the audience.

Please enjoy the episode and do provide us feedback on the episode.

Tagged Bharatanatyam, connection to nature, Cultural Heritage, dance techniques, Dwani, expressive storytelling, Hand Gestures, immersive experience, Indian Classical Dance, Nattuvangam, Performing Arts, physics of sound, resonance in dance, Rhythmic Footwork, rhythmic structures, sound and emotion, spiritual dimensions, Swara, Taalam, traditional art forms., vocal intonations