Bharatanatyam Adavus (Blog 5 of 8) : Kalakshetra Bani

The Kalakshetra Bani, established by Rukmini Devi Arundale at the Kalakshetra Foundation in Chennai, is known for its geometric precision, structured methodology, and emphasis on grace and symmetry. The adavus in this Bani are systematized and focus on clean lines, expansive movements, and disciplined execution. Below is a detailed description of the adavus in Kalakshetra Bani, including the number of steps in each.

1. Tatta Adavu (Tapping Step)

• Description: The foundational adavu involves rhythmic tapping of the feet in Aramandi (half-sitting posture). The movements are sharp, symmetrical, and emphasize alignment.
• Number of Steps: Performed in 8 variations, each consisting of 4 to 8 steps depending on the rhythm cycle.
  • Example of syllables: “Tha Thai Tha Tha”.

2. Natta Adavu (Stretching Step)

• Description: Combines leg stretches with expansive and symmetrical hand movements. The focus is on achieving perfect posture and alignment.
• Number of Steps: Typically 6 to 8 steps per variation, performed in chatusra (4-beat) or tisra (3-beat) nadai.
  • Example of syllables: “Tha Tai Tha Ha”.

3. Visharu Adavu (Diagonal or Spread-Out Step)

• Description: Includes crossing and spreading the legs diagonally with broad, sweeping hand gestures. Movements emphasize geometry and balance.
• Number of Steps: Usually 8 steps per variation, with some advanced sequences extending to 16 steps.
  • Example of syllables: “Tha Dhit Thai”.

4. Teermanam Adavu (Ending Step)

• Description: A concluding adavu performed with precision in footwork and clear rhythmic patterns. The Kalakshetra Bani focuses on clean triangular or symmetrical stage patterns.
• Number of Steps: Typically performed in cycles of 3 steps, repeated three times, resulting in 9 steps.
  • Example of syllables: “Tai Tai Dhit Dhit Tai”.

5. Kudittametti Adavu (Jumping Step)

• Description: Combines rhythmic foot tapping with small jumps. The movements in Kalakshetra are structured and controlled, ensuring a light yet precise execution.
• Number of Steps: Generally 8 steps per variation, with the tala dictating the rhythm.
  • Example of syllables: “Tha Ka Dhi Mi”.

6. Sarukkal Adavu (Sliding Step)

• Description: Features controlled sliding movements of the feet, performed with subtle yet expansive hand gestures. The emphasis is on smooth transitions and posture.
• Number of Steps: Usually 4 to 8 steps per sequence, depending on the rhythmic complexity.
  • Example of syllables: “Tha Dhit Thai”.

7. Mandi Adavu (Kneeling Step)

• Description: Performed in a kneeling position, requiring balance and strength. The Kalakshetra Bani ensures these movements are geometrically aligned and symmetrical.
• Number of Steps: Typically 6 to 8 steps per variation, depending on the rhythm.
  • Example of syllables: “Tha Tai Tha Tha Dhit Tai”.

8. Jati Adavu (Combination Step)

• Description: Combines multiple adavus into a rhythmic sequence. In Kalakshetra Bani, this adavu is performed with clear geometric precision and minimal ornamentation.
• Number of Steps: Usually involves 16 to 32 steps, depending on the tala and choreography.
  • Example of syllables: “Tha Ka Dhi Mi Tha Tai Tha Tha”.

9. Tatti Metti Adavu (Heel Tapping Step)

• Description: Alternates rhythmic heel-tapping movements with soft toe touches. The execution is clean and aligned with the rhythm.
• Number of Steps: Performed in 4 to 8 steps per variation, maintaining clarity and control.
  • Example of syllables: “Dhit Tai Tha Tai”.

10. Kuditthu Adavu (Leaping Step)

• Description: Involves small, controlled leaps and jumps. The Kalakshetra Bani emphasizes precision in landings and transitions, creating an impression of lightness.
• Number of Steps: Generally 4 to 8 steps per sequence, depending on the rhythmic structure.
  • Example of syllables: “Dhit Tai Thai Dhit”.

Key Features of Kalakshetra Bani Adavus

1. Geometric Precision: Movements are symmetrical and aligned with a focus on creating clean lines and patterns on stage.
2. Structured Methodology: Adavus are systematized for ease of teaching and learning, ensuring uniformity across students.
3. Expansive Movements: Hand gestures and footwork are broad, creating a visually appealing and grand stage presence.
4. Controlled Transitions: Each movement is deliberate and carefully executed, leaving no room for ambiguity.

Summary Table of Adavus in Kalakshetra Bani

In summary : 

The Kalakshetra Bani emphasizes discipline, uniformity, and elegance, making its adavus an essential part of Bharatanatyam pedagogy. Each adavu is crafted to build technical proficiency, aesthetic appeal, and a strong foundation in classical dance. This Bani’s structured and systematic approach has made it one of the most accessible and widely taught styles.