Bharatanatyam Adavus (Blog 6 of 8) : Pandanallur Bani

The Pandanallur Bani of Bharatanatyam is renowned for its precision, simplicity, and disciplined movements. The adavus (basic steps) in this bani are structured, with clear rhythmic patterns and restrained yet powerful expressions. Below is a detailed description of the different types of adavus in the Pandanallur Bani, along with the number of steps for each.

1. Tatta Adavu (Tapping Step)

• Description: The foundation of Bharatanatyam, involving rhythmic tapping of the feet in the Aramandi (half-sitting posture). Pandanallur Bani emphasizes sharp, deliberate movements and perfect symmetry.
• Number of Steps: Usually performed in 8 variations, each with 4 to 8 steps per variation.
  • Example of syllables: “Tha Thai Tha Tha”.

2. Natta Adavu (Stretching Step)

• Description: Combines leg stretching with synchronized hand gestures. The focus is on controlled, extended movements that highlight the dancer’s alignment and balance.
• Number of Steps: Typically 6 to 8 steps per sequence, performed in chatusra nadai (4-beat cycle).
  • Example of syllables: “Tha Tai Tha Ha”.

3. Visharu Adavu (Diagonal or Spread-Out Step)

• Description: Involves diagonal crossing and spreading movements of the legs, complemented by flowing hand gestures. Movements are deliberate, emphasizing balance and spatial awareness.
• Number of Steps: Generally performed in 8 steps per variation, with some advanced sequences extending to 16 steps.
  • Example of syllables: “Tha Dhit Thai”.

4. Teermanam Adavu (Ending Step)

• Description: A concluding step used to emphasize rhythmic phrases and end segments. The Pandanallur Bani version is simple, symmetrical, and focuses on rhythmic clarity.
• Number of Steps: Performed in cycles of 3 steps, repeated three times for a total of 9 steps.
  • Example of syllables: “Tai Tai Dhit Dhit Tai”.

5. Kudittametti Adavu (Jumping Step)

• Description: Combines rhythmic foot tapping with light jumps. The Pandanallur approach emphasizes control and precision in landing and transitions.
• Number of Steps: Typically consists of 8 steps per variation, performed in a steady rhythm.
  • Example of syllables: “Tha Ka Dhi Mi”.

6. Sarukkal Adavu (Sliding Step)

• Description: Features controlled sliding movements of the feet, often paired with subtle hand gestures. This adavu highlights smooth transitions and grounded balance.
• Number of Steps: Usually 4 to 8 steps per sequence, depending on the rhythmic complexity.
  • Example of syllables: “Tha Dhit Thai”.

7. Mandi Adavu (Kneeling Step)

• Description: Performed in a kneeling or seated posture, showcasing balance and control. In the Pandanallur Bani, this adavu is marked by clean, deliberate movements.
• Number of Steps: Generally performed in 6 to 8 steps per variation, depending on the tala (rhythmic cycle).
  • Example of syllables: “Tha Tai Tha Tha Dhit Tai”.

8. Jati Adavu (Combination Step)

• Description: Combines elements from multiple adavus to create rhythmic and dynamic sequences. The Pandanallur style emphasizes clarity and precision in these combinations.
• Number of Steps: Typically involves 16 to 32 steps per sequence, depending on the tala and level of complexity.
  • Example of syllables: “Tha Ka Dhi Mi Tha Tai Tha Tha”.

9. Tatti Metti Adavu (Heel Tapping Step)

• Description: Alternates between rhythmic heel tapping and toe movements. In the Pandanallur style, the movements are sharp and clean, synchronized with the beat.
• Number of Steps: Usually 4 to 8 steps per variation, adapted to the rhythmic cycle.
  • Example of syllables: “Dhit Tai Tha Tai”.

10. Kuditthu Adavu (Leaping Step)

• Description: Involves small, controlled leaps that emphasize energy and sharpness. The Pandanallur approach ensures precision and grace in these movements.
• Number of Steps: Typically 4 to 8 steps per sequence, performed in alignment with the tala.
  • Example of syllables: “Dhit Tai Thai Dhit”.

Key Features of Pandanallur Bani Adavus

1. Precision and Simplicity: The movements are sharp and clean, with no excessive ornamentation.
2. Controlled Rhythms: Emphasis on perfect alignment with the tala, ensuring clarity in footwork and timing.
3. Minimalistic Expression: The focus is on clean execution of movements rather than dramatic flourishes.
4. Symmetry and Balance: Choreography often involves symmetrical patterns and grounded movements.

Summary Table of Adavus in Pandanallur Bani

In summary :

The Pandanallur Bani is celebrated for its simplicity, precision, and disciplined execution of adavus. Each adavu is crafted to build technical mastery, rhythm, and balance while maintaining the aesthetics of traditional Bharatanatyam. This style is ideal for those who appreciate the understated elegance of classical dance.